Monday, June 29, 2009

Things to Look for in Talking to the Dead


I'm gobsmacked by the notes and e-mails I've received from readers. It's been an honor to read your reactions to Talking to the Dead and to hear your stories about life, love, and even loss. I'm humbled. I truly enjoy hearing from readers, and be assured, I read and respond to every note - so if you feel so moved, by all means drop me a line (bcg@bonniegrove.com).

I got a note from my editor the other day with the reaction of a friend of her who read Talking to the Dead. She says, in part:
"It really struck me as a layered book written for many levels of reading: entertaining, study in psychology, but for me it was mainly a book about idolatry and the consequences of it."
I love this! She's the first person (so far, that I have heard from) that picked up on this theme,which runs throughout the book and is evident in several of the character. Have you read the book? Did you pick up this theme? Or did something else stand out for you? A different theme? I'd love to hear.

For those of you who have read the book, or are planning on it, here are a few themes you can look for and explore in Talking to the Dead (this list doesn't appear in any other blog or interview I've done - it's just for you Fiction Matters readers!)

The Waiting Room - Kate spends a fair amount of time waiting in reception areas, lobbies, foyers, and waiting rooms. As you read, explore the meaning found in the the waiting room - what does it mean to Kate?

Obsession - the ultimate anti-love emotion is obsession. Who is obsessed in the book? What does his/her obsessions to do the character(s) and his/her relationships?

Idolatry - As mentioned above, idolatry is a theme found throughout the book and is displayed in several characters. How does this play out for the various characters?

Emotional vs. Rational responses - There is a tension in the book between the emotional and the rational. Neither one comes out a clear winner - but there is a discussion that can be found in the book about balancing the two in a third arena. What is the third arena of reason? How can bring balance to the other two?

These are a few of the themes explored in Talking to the Dead. There are others as well. I'd love to hear what you've pulled out of the text and how it unfolded for you. Let's dish!

I bid you good writing.

Friday, June 26, 2009

Human's Writing about Humans

In a previous post, I talked about how all fiction is an exploration of the human experience, regardless of genre or plot. I realize this can feel like a stretch when we begin to look into the plot driven quick reads from writers like Clive Cussler, or maybe the endless Star Wars saga books (sorry, Steve!) - but even these require more than cardboard cutouts of human beings to make them readable. (I am not anti-action books, really I'm not!)

I've been thinking a great deal about my favorite books lately. The ones I re-read, the one's I won't lend out to friends (or buy more than one copy of so that when I lend it out I'll still have a copy around the house), the ones I think about and day dream about. I suppose it's because I'm on the edge of beginning a new book - one that is, frankly, taking more than a few chances in terms of structure. What I've discovered is that my absolute favorites are all strongly character driven books that simply zing with lyrical, beautiful writing. I'm not stunned by this, I mean, these are the sorts of books I strive to achieve, I hope to write. Still, I'm looking more deeply at what makes my heart melt when I think about certain books. Here are just a few examples:

The Time Traveler's Wife: I'm re-reading this before the movie comes out, August 14th. I read it about six years ago, a loaner from the library, but I bought a copy to live on my shelves. There are things about this book that should bother me - cursing bothers me even when it is "realistic". To me it is a red flag: Lazy writer, falling back on obscenity as a substitute for maturity! And while Niffenegger doesn't throw curses out like rose petals at a wedding, they are in there - jarringly so. Such rich characters don't need the crutch of foul language. But I can simply overlook this because Niffenegger's writing - sparse, clean, uncluttered, but some how beautiful - redeem any faults. A simple love story set in an extraordinary circumstance paired with smart, lovely prose and I'm so hooked on this story. The book is crammed with little moments that resonate. And I love how it is a story about loving no matter what. It's earned a place on my shelf.

Cold Sassy Tree: I've read this book several times, and I know I will read it again. It's a standout - a family memoir that cares more about the truth of the story (and therefore the reader) than it does anything else. Olive Ann Burns' exhaustive attention to details of dialect, setting, and era are so well done they blend into the background and allow the story to take center stage. Told from the POV of a young boy, the story is rich with characters who say and do the most amazing things - and the boy's sense of wonder, confusion, and young love is pitch perfect.

Redeeming Love: This is a book I read over a decade ago and I still find myself thinking about it the way one would think about an old friend. I've read it several times and I know I'll read it again. It's painfully good, unflinching, rich, and daring (for Christian fiction). What made this book so wonderful was Francine Rivers' writing style - descriptives that hit the mark, then left it alone and went on with the story, excellent pacing (trouble, more trouble, compounded with trouble - all within a few chapters), and a spiritual thread that wove itself into the story rather than sitting on top as a "sermon of the week" masquerading as a novel.

As a writer, I still enjoy jumping into a great novel and simply getting lost in the story, but I also need to read like a writer - researching what I love about specific books, the craft involved in creating the success, and then finding ways to incorporate those lessons into my own writing. I'd love it if you would share some of your favorite books that you read over and over again - and what aspects about them bring you back for more.

I bid you good writing.

Monday, June 22, 2009

Winner!! And Some Thoughts From a Writer's Conference

Beth E - you are the winner of your brand spanking new copy of Talking to the Dead! You can e-mail me at bcg@bonniegrove.com with your snail mail. Congrats!
~
I'm recently returned from a writer's conference - the second of three for me this year. This one was smaller than the first I attended (Mount Hermon, in California) and the focus was more on beginner writers.

I met with many fine folks at the conference and, after some time, certain themes appeared. I found myself giving the same advice over and over to different people. I'd like to share those words of advice here as a reminder and encouragement for new writers.

1. Read. Most people I met with didn't read broadly - those who did, didn't read like a writer. The first step to becoming a writer is to understand literature. This holds true regardless of the genre, fiction or non-fiction. Reading broadly expands your understanding of how literature works, the purposes it serves, and the nearly endlessly creative ways you can approach story telling once you understand it better. Novelist Jim Harrison gives this important advice: "Be totally familiar with the entirety of the western literary tradition. How can you write well unless you know what passes for the best; in the last three or four hundred years?"
Your creative worlds will open wider, and you will find more sure footing when you take the time (a lifetime, really) to understand the shoulders on which you stand.

2. Bones. This ties into the first point. Whenever I suggested to a new writer they should read inside their genre, I often heard a derivative of this response, "I don't like those books, that's why I want to write mine - it will actually be good!" Ouch.
Whether or not you "like" the contents of the books in your genre isn't the point. To read inside your genre should be a no-brainer, but, apparently, it isn't. So here is my advice - read inside your genre! It's not about content as much as it is about structure. I spoke to many people about their hopeful projects who didn't understand the mechanics of the genre they wanted to write in. This is getting to know the bones of a book. The scaffolding that holds up the content. How ideas are organized, focused, and layered. That sort of thing. Maybe you think the latest bestseller on parenting can't hold a candle to your project, but it's a good idea to study how it was put together - like it or not, it's selling well. Go find out why.

3. Be creative. The publishing world seems filled with rules. How to write a query letter. How to write a synopsis. How to hook your audience. How to explain your premise. How to craft your elevator pitch. How to approach an editor or agent. I met with many anxious writer-wannabes who were tied in knots over getting all the rules correct. So anxious, in fact, it dammed off their creative funkiness. They were so preoccupied with getting it "right" they forgot about great writing, amazing premise, and bang on creativity. While it is important to understand the language of ideas within publishing (proposals), it is even more important to fully unleash your creative talents and abilities in order to craft irresistible fiction. Being amazing is better than being technically correct.

4. Message driven fiction is boring. All fiction is spiritual in nature. It all points to something bigger than ourselves. When writing Christian fiction, it's important to focus on the story - not the moral of the story. Don't write a novel about redemption. Write a novel about characters who live and breath and experience redemption in a powerful way. Get out of the way of your story. Take your message and put it where it belongs - implicitly inside the movement of the story. This is the truest meaning of "show, don't tell". Show me a novel about redemption by taking me on a journey that highlights the complexity of humans in contact with grace. Plumb the unreasonable depths of humanity with your story. Let that be your focus.

5. All fiction is about the human condition. Several people I spoke to were interested in writing sci-fi and fantasy. Each felt that because the genres are "other worldly" it was impossible to focus the books on the human experience. They weren't writing about humans, after all. One dear soul said, "I'm writing about faeries - and the worlds they inhabit." My response is, "Faeries don't buy books." I am not a ravenous fantasy/sci-fi reader, but I've read enough to know that these genres arent' just about the human experience, but the best ones are the human experience stripped to it's barest elements.

6. Being a writer presupposes self-understanding. We don't have to be Carl Rogers. We don't have to have "self-actualized" - but writers have a good grasp of their own identity, and empathy for the human condition. Writers need to be about to understand the human condition through the kaleidoscope of experience. The good, the bad, and the ugly. Writers look on all of it with unblinking, caring eyes. We listen long and hard to the voices that are different from our own, to the cultures and sub-cultures that we don't understand and are not a part of in order to add to our knowledge and compassion for people.

Time, dedication, and respect for the craft work together to make you a wonderful writer. I hope these reminders encourage you today.

I bid you good writing.

Sunday, June 14, 2009

Winner!!

Update on where you can win a copy of Talking to the Dead (in addition to right here on Fiction Matters)!

Enter to win at Susan Meissner's blog Edgewise (until Friday only!). She is the author of The Shape of Mercy, a book I love and highly recommend! She has an interview with me posted as well.

David C Cook is featuring an interview with me and giving away a copy of the book!

And the lovely Lena Nelson Dooley has an interview posted and is giving away a copy of the book on her wonderful blog.

***
Steena Holmes come on down! You're the next winner!!


You can email me at bcg@bonniegrove.com with your snail mail address and I'll pop it in the mail!

Woo Hoo! I hope you enjoy it! And if you do, be sure to tell your friends about it.

Didn't win? Don't despair! It's Monday - and that means another giveaway!

Here is a taste of the book - Not chapter one which you can read on my web site. But a different section of the book:
***

Singing my mother’s favorite song with Kevin in our kitchen reminded me that I hadn’t spoken to her since the day she brought me the stack of books, over a month ago. She wouldn’t contact me first, I felt sure. After Dad died, she made it clear to Heather and me that she would let us know when she was ready to talk, that she needed some space to adjust.

So the next morning I grabbed the keys to Kevin’s car, and the stack of books I didn’t read, and went to see her. Standing in the kitchen of the house I’d grown up in, I held a small, heavy object that looked exactly like a flat brown rock. I looked at my mother. “What’s this?”

She glanced at my hand. “It’s a baking stone. It promotes even cooking.”

“You just stick it in there with the bread or cake or whatever?”

“No, dear,” she said. “First you have to heat it up in the oven. Then you put whatever you are baking on top of it.”

I cocked my head to one side. Who was this woman who heated rocks? I couldn’t imagine her doing this when I was growing up. “How long does it take?”

She folded, unfolded, and then refolded a dish towel. “It really shouldn’t take more than forty-five minutes or so.” She threw me a quick glance that seemed to say, “Please don’t tell your dead father.” Dad would have never understood his wife’s desire to cook rocks. I
could almost hear him sputtering, “Waste, that’s what it is! Running the electric bill sky-high just to heat a rock. Ridiculous.”

“It’s good for pizza, too,” she said, running her hand over the round, flat surface.

I put the stone down. “You like pizza now?”

“No.”

I looked around the kitchen. I knew it like I knew my own childhood. But things weren’t the same here. There were changes I’d failed to notice when I first came in. Changes since Dad died. Beside the baking stone sat a new recipe box with the words BITE ME stamped on the top. The artificial roses that had sat perennially on the kitchen table had been replaced with massive, living gladioli from the garden. The faded lace curtains had been replaced with cotton ones the color of butter. The wallpaper—a blue and purple riot of tiny flowers I had long ago stopped noticing—was now a clean wall of paint, a soft, hazy green that drifted before my eyes like a summer memory. My father’s presence was nowhere to be seen. If he walked in now, he
would look out of place.

“Are you cold, Kate?” my mother said.

My hands were running up and my arms, warming them in the already too warm kitchen. I dropped them to my side. “Is it going to get better?”

She took a long breath, and then let it out. She knew what I was talking about. “It’s going to get different.”

“I know life is different now, Mom. I meant—”

She raised a hand in a “shush, I’m talking” gesture. “I don’t mean ‘life is different.’ I’m referring to the way you’re feeling. About losing Kevin. About grief and loss and sadness. It changes.” She stared down at the counter as if searching there for some lost secret. “It seems to me that feelings are the most unreliable things.”

“I don’t understand.”

“I know. I don’t mean to be vague.” She took in a long breath. “When I lost your father, I felt like my life was over. Literally. That’s what it felt like. But it wasn’t true. My life wasn’t over. It kept going. It keeps going.” She shrugged one shoulder and turned away from me. “I feel differently today than I did in those first weeks after losing your father. I feel like my life has possibilities.”

I traced a pattern on the countertop with my finger. Possibilities sounded better than questions and a memory filled with gaping holes. Better than a future that could not be fathomed or understood. “That’s good, isn’t it?”

She turned and looked at me for a long moment. “Is it? My feelings when your father died turned out to be wrong. My life wasn’t over. Who’s to say these new feelings will turn out to be right?”

“You mean—”

“I mean the one thing I’ve learned is that you can’t trust your feelings.”

“So what can you trust?”

“Kate, honey, I honestly have no idea.”

***

I bid you good luck, and good writing!

Thursday, June 11, 2009

Review of Talking to the Dead





Just wanted to share the jaw dropping news (I'm still stunned and amazed!) about the review in the Romantic Times:

4 1/2 stars - Talking to the Dead is the top pick for mainstream inspirational fiction!
"Grove's fiction debut is amazing. The stellar plot, exquisite character interactions and outstanding spiritual truths are alternately gut-wrenching and faith-building. Kate's first-person point of view allows an intimate glimpse into her life and works incredibly well with the story."

Woo Hoo!
I'm humbled.

I bid you good writing.

Monday, June 8, 2009

It's Monday! Must be Time To Give Away a Book!

Some of you have already e-mailed me with your entries for this week's give away (early birds and worms and all that - good stuff!)

This week is the second give away!

All you need to do it leave a comment with your e-mail address (or, if you don't want to post your e-mail address, you can e-mail me with it).

Last weeks winner was still needs to check in with me so I can mail your signed copy of Talking to the Dead to you!

You can read chapter one at bonniegrove.com (hit the "home" tab above") under the "fiction" tab. 

I bid you good writing (and reading!)

Saturday, June 6, 2009

And the Winner IS!!

My son drew a name from a hat (it was very cute) and we have a WINNER!

The winner of her very own signed copy of Talking to the Dead is:

Nichole Osborn!!

Nichole, e-mail your snail mail address and I'll pop your book in the mail! Congratulations!

Didn't win? Check back Monday for another chance to win a signed copy of Talking to the Dead!

I bid you good writing.